视频推荐
美人图秋瓷炫电影,单身规划师Planners
李连杰美国电影全集,暗水深处
鹿角电影恐怖片在线观看,黑色五叶草:魔法帝之剑
spank影视,虎穴神枪
乱母电影,日本天皇
异灵灵异2002电影免费版完整版观看,失去了什么2
心花路放 电影,一代枪王
电影阿珍,刻在石磨上的勋章
义乌中影香港影视传媒有限公司,最后的哨声
流感韩国灾难电影在线观看,黄金时刻 服部金太郎故事
电影剪刀,现实主义勇者的王国再建记 第一季
3级电影在线看,街头霸王 春丽传奇
纽扣人电影,彪马战士(原声版)
横店影视城老板是谁,夺命大夜班
密室逃生类型的电影有哪些,重来吧.魔王大人
冥婚题材的电影,新大头儿子和小头爸爸 第四季
兄嫂情韩国电影,相忘于江湖
影视吻戏视频,人人都爱雷蒙德 第六季
影视后期包括,异端指南
中央电视台南海影视城好玩吗,国家之树
电影刀锋,爱情处方
樱花影视在线播放,乌瓦 2015
最新影视大全,最后一次理发
无限穿梭电影世界,谜情纹字
宇都宫紫苑电影网,Diary
伊人电影狠,早子小姐单身中
变形金刚真人电影漫画,宇宙船长哈洛克 1
电影类型英语,律政英雄特别版

拉莉萨

类型: 短片,传记,剧情片,剧情
地区: 其它
年份: 1980
主演: 依莱姆·克里莫夫,Valentin Rasputin,Stefaniya Stanyuta
导演: 依莱姆·克里莫夫

剧情介绍

A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko's films, and her own voice is heard talking about her life and art.  Elem Klimov's grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko's collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko's premature death while filming her adaptation of Valentin Rasputin's novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko's work (Maya Bulgakova's pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa's most powerful passage is its first accompanied by the grandiose final music cue from Shepitko's You and I, Klimov dissolves between a series of personal photographs that encompass Larisa's entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov's Come and See, though by placing the scene first within Larisa's chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery's knife has cut.
热门推荐